GRIGNON, Acting P.J.

This case involves causes of action for breach of contract, fraud and interference with economic relations, arising out of contracts for the purchase of exclusive rights to music compositions. The trial court granted defendants' motion for judgment on the pleadings on the ground these state law causes of action were preempted by federal copyright law. We conclude that such state law causes of action are preempted by federal copyright law only to the extent they assert rights equivalent to the exclusive rights protected by federal copyright law. State law causes of action are not preempted if they require elements that are qualitatively different from the elements of a federal copyright infringement action. This is the "extra element" test for federal copyright preemption. In the context of a breach of contract cause of action, the extra element is not supplied by the mere breach of a promise giving rise to rights equivalent to copyright protection; the extra element must be a contractual promise creating a right not existing under federal copyright law. We conclude some of the causes of action are preempted and others are not. We reverse with directions to grant the motion in part and deny it in part.

FACTS AND PROCEDURAL BACKGROUND

Plaintiffs and appellants Seyed E. Kabehie and his production company Pars Video, Inc. (collectively Pars) duplicate, advertise, and sell music cassettes, videotapes, and compact discs. Defendant and respondent Farid Zoland is a music composer and producer. Zoland and defendant and respondent Mehin Abadani conduct business together through their production company, defendant and respondent Avang Music Company (collectively Avang).

Commencing August 1984, Pars entered into a number of contracts with Avang to purchase Avang's exclusive rights, titles and interests in several albums of music composed, arranged and produced by Zoland. In addition, Pars purchased third parties' interests in certain albums of music that had previously been owned by or in partnership with Avang. On December 23, 1989, Pars agreed to pay Avang $24,000 for the exclusive rights to four albums of music. The master recordings for the four albums were to be delivered to Pars by Avang. On January 17, 1995, Pars agreed to pay Avang $25,000 for the exclusive rights to three as yet unrecorded albums of music. The master recordings for the three new albums were to be delivered to Pars by Avang in March, May and July 1995, respectively.

Avang breached the agreements by producing, duplicating, advertising and selling the musical materials covered by the agreements and otherwise interfering with Pars's property rights in the musical materials. Avang also breached the December 23, 1989 agreement by refusing to deliver the master recordings for three of the four albums to Pars. In August 1995, Avang breached the January 17, 1995 agreement to deliver the master recordings for three new albums of music by failing to deliver any of the master recordings.

On April 1, 1999, Pars filed a first amended complaint against Avang alleging breach of contract, rescission, common counts, accounting, interference with economic relations and fraud. On August 4, 2000, Avang filed a motion for judgment on the pleadings on the ground of preemption by federal copyright law. The trial court granted the motion with leave to amend. No amended complaint was filed. The trial court dismissed the complaint. Pars appealed.

DISCUSSION

A motion for judgment on the pleadings may be made on the same ground as for a general demurrer, that the pleading at issue fails to state facts sufficient to constitute a legally cognizable claim or defense. ( Colberg, Inc. v. State of California ex rel. Dept. Pub. Wks. (1967) 67 Cal.2d 408, 411-412; Sofias v. Bank of America (1985) 172 Cal.App.3d 583, 586; Code Civ. Proc., § 438, subd. (c)(1)(B)(ii).) Our review is guided by the same rules governing the review of the sustaining of a general demurrer. "'We treat the demurrer as admitting all material facts properly pleaded, but not contentions, deductions or conclusions of fact or law. [Citation.] We also consider matters which may be judicially noticed.' [Citation.] Further, we give the complaint a reasonable interpretation, reading it as a whole and its parts in their context. [Citation.]" ( Blank v. Kirwan (1985) 39 Cal.3d 311, 318.) Where a plaintiff is given leave to amend and chooses not to do so, we examine the complaint only to find whether it states a cause of action, not to determine whether plaintiff might have been able to state one. ( Pavlovsky v. Board of Trade (1959) 171 Cal.App.2d 110, 115.)

Federal Copyright Law

The 1976 Copyright Act (the Act) extends federal copyright protection to "original works of authorship fixed in any tangible medium of expression." ( 17 U.S.C. § 102(a).) Works of authorship include musical works. ( Ibid.) Section 106 of the Act grants the copyright owner exclusive rights to reproduce, adapt, distribute, perform, and display the copyrighted work. ( 17 U.S.C. § 106.)

"'"[W]hen acting within constitutional limits, Congress is empowered to preempt state law by so stating in express terms. [Citation.]"'" ( KNB Enterprises v. Matthews (2000) 78 Cal.App.4th 362, 368.) Section 301, subdivision (a) of the Act expressly preempts state laws that protect "legal or equitable rights that are equivalent to any of the exclusive rights within the general scope of copyright as specified by [section 106]." ( Balboa Ins. Co. v. Trans Global Equities (1990) 218 Cal.App.3d 1327, 1339.) Section 301, subdivision (b) represents the obverse of subsection (a), allowing states to regulate "activities violating legal or equitable rights that are not equivalent to any of the exclusive rights within the general scope of copyright as specified by [section 106]." ( 17 U.S.C. § 301(b).) The Act does not preempt all state common law affecting copyright material, but only state common law meeting two conditions. ( United States Golf Assn. v. Arroyo Software Corp. (1999) 69 Cal.App.4th 607, 621.) "Thus, for preemption to occur under the Act, two conditions must be met: first, the subject of the claim must be a work fixed in a tangible medium of expression and come within the subject matter or scope of copyright protection . . ., and second, the right asserted under state law must be equivalent to the exclusive rights contained in section 106." ( Fleet v. CBS, Inc. (1996) 50 Cal.App.4th 1911, 1918-1919; accord, KNB Enterprises v. Matthews, supra, 78 Cal.App.4th at p. 369.)

In this case, the state claims are based on musical works within the subject matter of copyright. We are concerned with only the "right equivalent to copyright" condition. "[I]n essence, a right that is 'equivalent to copyright' is one that is infringed by the mere act of reproduction, performance, distribution, or display." (1 Nimmer on Copyright (Rel. 57) § 1.01[B][1], p. 1-12[fns. deleted; hereinafter Nimmer].) If the act of reproduction, performance, distribution or display will in itself infringe the state-created right, then such right is preempted. ( Id. at p. 1-13.) Such a state right is preempted even if the state-created right is broader or narrower than the comparable federal right. ( Id. at pp. 1-11 — 1-12.) "But if qualitatively other elements are required, instead of, or in addition to, the acts of reproduction, performance, distribution, or display, in order to constitute a state-created cause of action, then the right does not lie 'within the general scope of copyright,' and there is no pre-emption." ( Id. at p. 1-13.)

Nimmer's analysis of federal copyright preemption is referred to as the "extra element" test. ( Balboa Ins. Co. v. Trans Global Equities, supra, 218 Cal.App.3d at p. 1340.) To avoid preemption, the extra element must be one that changes the nature of the action so that it is qualitatively different from a copyright infringement claim. ( Ibid.) "In a proper case, the same conduct may support relief under multiple theories. Preemption law, however, requires analysis of each theory to determine whether it contains the necessary qualitatively different extra element distinguishing it from copyright protection." ( Id. at p. 1342, fn. omitted.)

The California Supreme Court has not addressed the issue of federal copyright preemption of state actions. California courts of appeal have generally adopted Nimmer's extra element test for federal copyright preemption. ( KNB Enterprises v. Matthews, supra, 78 Cal.App.4th at p. 373; Fleet v. CBS, Inc., supra, 50 Cal.App.4th at p. 1924; Balboa Ins. Co. v. Trans Global Equities, supra, 218 Cal.App.3d at p. 1340.) However, no California court of appeal has applied the extra element test in the context of a breach of contract cause of action. (Compare Durgom v. Janowiak (1999) 74 Cal.App.4th 178, 186-187 [breach of contract action for failure to pay royalties did not involve use of underlying copyrighted material and was therefore not preempted by federal copyright law].)

Breach of Contract

We must determine whether federal copyright law preempts a state law breach of contract action concerning material within the subject matter of copyright. Using Nimmer's extra element test, we focus on whether the breach of contract action includes an extra element that makes it qualitatively different from a copyright infringement action, and therefore, avoids preemption. One approach is that breach of contract actions are never preempted. This approach is based on the theory that a breach of contract includes a promise and the existence of the promise is the extra element avoiding preemption. ( Taquino v. Teledyne Monarch Rubber (5th Cir. 1990) 893 F.2d 1488, 1501; Architectronics, Inc. v. Control Systems, Inc. (S.D.N.Y. 1996) 935 F. Supp. 425, 438-439.) A second approach is a fact-specific analysis of the particular promise alleged to have been breached and the particular right alleged to have been violated. ( National Car Rental v. Computer Associates (8th Cir. 1993) 991 F.2d 426, 429-430.)

We agree with the second approach: A fact-specific analysis of the particular promise alleged to have been breached and the particular right alleged to have been violated. This conclusion is based on the language of the statute, the legislative history of the Act, and the opinions of the majority of courts that have considered the issue.

1. Statutory Construction

In determining whether federal law preempts a state statute, "our sole task is to ascertain the intent of Congress." ( California Federal S. L. Assn. v. Guerra (1987) 479 U.S. 272, 280.) "Express preemption occurs when Congress has expressly stated its intent to supersede state law. This often requires an inquiry into statutory construction." ( Worth v. Universal Pictures, Inc. (1997) 5 F. Supp.2d 816, 820.) When interpreting the meaning of a statute, we look first to the statutory language. ( Kane v. Hurley (1994) 30 Cal.App.4th 859, 862.) The Act expressly preempts state law causes of action that protect rights equivalent to the exclusive rights protected by federal copyright law. Conversely, the Act expressly reserves to the states the protection of rights that are not equivalent to the exclusive rights protected by federal copyright law. This concurrent preemption and reservation evidences the intent of Congress to preempt only some state laws involving materials within the subject matter of copyright. Thus, federal copyright preemption is based not only on the nature of the work of authorship, but also on the nature of the rights protected.

The Act's express federal preemption was a major change from prior federal copyright law. Prior to 1976, the federal government did not occupy the field of copyright protection. Federal copyright law applied only to some classes of copyrightable materials. For example, the protection of federal copyright law was not available if the material was unregistered or unpublished. State copyright law filled the gaps in the federal copyright law. In 1976, Congress determined that a single federal copyright system was necessary. Congress found that it was harmful for creators of copyrightable materials to be required to meet different standards in the 50 states. In addition, certain aspects of federal copyright law were inconsistent with international copyright law, making international enforcement of copyright difficult. From these considerations, the Act was adopted. (H.R. Rep. No. 94-1476, 94th Cong., 2d Sess., p. 129 (1976).)

The purpose of the Act was to create a uniform national copyright law protecting certain rights, such as reproduction, performance, distribution, and display. To the extent enforcement of those protected rights was at issue, the Act preempted all state law, including common law causes of action. However, Congress did not intend to occupy the entire field. Such a broad preemption would have required any action involving materials within the subject matter of copyright to be brought in federal court. Instead, Congress intended to preempt enforcement of the specific rights protected by the Act, but leave to the states the enforcement of other state law rights, such as breach of contract. (H.R. Rep. No. 94-1476, 94th Cong., 2d Sess., p. 132 (1976).)

Thus, the language of the Act supports a conclusion that Congress intended to preempt most breach of contract actions, but not all. ( Durgom v. Janowiak, supra, 74 Cal.App.4th at p. 182.) Congress intended to preempt those breach of contract actions seeking to protect rights equivalent to the exclusive rights protected by federal copyright law. In other words, Congress intended to preempt those breach of contract actions seeking to enforce the plaintiff's exclusive right to reproduce, perform, distribute or display copyrightable material. Thus, copyright preemption requires a fact-specific analysis of the promise breached and the right violated.

2. Legislative History

In construing a statute, "'[b]oth the legislative history of the statute and the wider historical circumstances of its enactment may be considered in ascertaining the legislative intent.'" ( Kane v. Hurley, supra, 30 Cal.App.4th at p. 862.) The legislative history of the Act supports our conclusion that breach of contract actions protecting rights equivalent to the exclusive rights of federal copyright are preempted by federal copyright law. The original draft of section 301, subdivision (b) set forth a list of examples of rights that were not equivalent to any of the exclusive rights of copyright, "including breaches of contract, breaches of trust, invasion of privacy, defamation, and deceptive trade practices such as passing off and false representation." (Nimmer § 1.01[B][1], pp. 1-14 — 1-15.)

Before the bill was sent to the floor of the House of Representatives, several additional state-created rights were added to the list of examples immune from preemption, including misappropriation. (Nimmer § 1.01[B][1][f][i], p. 1-28.2.) During the debate of the bill on the floor of the House, concerns were raised about the list of non-preempted state law causes of action in the Act. An amendment to the bill deleting the list from the Act was proposed in order to prevent the list from inadvertently nullifying federal preemption. The proponent of the amendment was concerned that an enumerated state law could be so broad as to render federal preemption meaningless. (Remarks of Rep. Seiberling, 122 Cong. Rec. H.10910 (daily ed. Sept. 22, 1976).) Ultimately, "[t]he specific list of examples was deleted and no list appears in the version of § 301 that was enacted as part of the Copyright Act in 1976. ( Architectronics, Inc. v. Control Systems, Inc., supra, 935 F. Supp. at p. 440.)

Thus, the legislative history supports the conclusion that most, but not all, breach of contract actions are preempted by the Act. Congress was apparently concerned that a list of specific non-preempted causes of action could be overbroad and inadvertently exclude from preemption actions Congress intended to preempt. Congress instead chose to utilize an "equivalent to copyright" preemption test rather than a specific list of non-preempted actions. In deleting the list, however, Congress did not intend to indicate that the actions previously included in the list were always preempted. (Nimmer § 1.10[B][1][f][i], p. 1-28.2; contra, Wolff v. Institute of Elec. Electronics Eng. (S.D.N.Y. 1991) 768 F. Supp. 66, 69 [deletion of safe harbor for breach of contract claims suggests intention to preempt breach of contract claims].) "[T]here is nothing in the legislative history or elsewhere to suggest that this was the motive behind the deletion. In fact, the deletion did nothing to change the general rule that non-preempted claims include any claims based on 'rights that are not equivalent to any of the exclusive rights within the general scope of copyright as specified by section 106.' [( 17 U.S.C. § 301 (1994).)] The only material difference between the preliminary version of the statute and the enacted version is that the preliminary version supplied examples of non-preempted causes of action while the enacted version did not. That a clause has been deleted from a draft of a statute, without more, does not mean that the polar opposite of the clause was enacted, particularly when the clause in question did no more than provide a list of examples that did not purport to be exhaustive." ( Architectronics, Inc. v. Control Systems, Inc., supra, 935 F. Supp. at pp. 440-441.)

As the legislative history suggests, Congress intended to preempt breach of contract causes of action that protect rights equivalent to any of the rights protected by federal copyrightzsd law. Therefore, although most breach of contract causes of action would not be preempted, Congress removed the blanket exemption for specific state causes of action, such as breach of contract, in order that any action equivalent to a copyright infringement action would be preempted.

3. Case Law

A survey of the relevant case law indicates that breach of contract causes of action are generally found not to be preempted; however, the various courts have used different analytical structures when considering preemption of breach of contract actions. ( Lennon v. Seaman (S.D.N.Y. 1999) 63 F. Supp.2d 428, 437; see also Green v. Hendrickson Publishers, Inc. (2001) 751 N.E.2d 815, 823.) The cases that have decided the issue of federal copyright preemption of state breach of contract causes of action can be roughly divided into two groups: (1) a minority of the cases hold state breach of contract causes of action are never preempted by federal copyright law; and (2) a majority of the cases hold state breach of contract actions are not preempted by federal copyright law when they seek to enforce rights that are qualitatively different from the exclusive rights of copyright. We address both positions. We adopt the majority view.

A. Never Preempted

A few courts have concluded that breach of contract actions are never preempted by federal copyright law, because the promise to perform the contract automatically constitutes the extra element that makes the action qualitatively different from a copyright infringement action. ( Taquino v. Teledyne Monarch Rubber, supra, 893 F.2d at p. 1501; Architectronics, Inc. v. Control Systems, Inc., supra, 935 F. Supp. at pp. 438-439.) These courts are in the distinct minority.

Nimmer too appears to state in his treatise that the promise inherent in a contract is the extra element that prevents preemption of a breach of contract cause of action. (Nimmer § 1.01[B][1][a], p. 1-15.) "[A] breach of contract action . . . is not predicated upon a right that is 'equivalent to any of the exclusive rights within the general scope of copyright. . . .' This for the reason that a contract right may not be claimed unless there exists an element in addition to the mere acts of reproduction, performance, distribution or display. That additional element is a promise (express or implied) upon the part of the defendant." ( Id. at § 16.04[C], p. 16-25, fns. omitted.) "Without a promise there is no contract, while a promise on the part of one who engages in unlicensed reproduction or distribution is not required in order to constitute him a copyright infringer." ( Id. at § 1.01[B][1][a], p. 1-15, fns. omitted.) Nimmer reiterates that, although the preemption language of the Act is arguably broad enough to refer to breach of contract causes of action, because contract rights are founded on promises, they are not equivalent to copyright. ( Id. at p. 1-15, fn. 68.1.)

However, despite the passages quoted above, Nimmer notes, "at times a breach of contract cause of action can serve as a subterfuge to control nothing other than the reproduction, adaptation, public distribution, etc. of works within the subject matter of copyright." (Nimmer § 1.01[B][1][a], p. 1-19.) "[I]t thus appears that the rule safeguarding contract causes of action against copyright pre-emption is less than categorical. Although the vast majority of contract claims will presumably survive scrutiny . . . nonetheless pre-emption should continue to strike down claims that, though denominated 'contract,' nonetheless complain directly about the reproduction of expressive materials." ( Id. at p. 1-22, fns. omitted.)

We agree with Nimmer's proviso. The promise alleged to have been breached in a breach of contract action does not always make the contract action qualitatively different from a copyright infringement action. If the promise was simply to refrain from copying the material or infringing the rights protected by copyright, then the promisor has promised nothing more than that which was already required under federal copyright law. The promise not to infringe adds nothing to a breach of contract action for copyright infringement. A breach of contract action based on this type of promise must be preempted in order to prevent parties from circumventing federal copyright law and nullifying the preemption provided for in section 301. Otherwise, the copyright owner or licensee would be required to determine the rights available under the different contract laws in the various states, defeating the purpose of establishing one federal copyright system. "The troubling aspect of [the analysis that the promise inherent in every contract is the extra element] is that conceivably the promise may not really be an 'additional element.' Suppose, e.g., that the defendant promised 'I will not infringe any copyright or copyright protection in the script you are proposing to show me.' In that case, the very promise is so inextricably entwined with the copyright that to permit the promisee to sue upon it would undermine the preemption feature of the Copyright Act." ( Selby v. New Line Cinema Corp. (C.D.Cal. 2000) 96 F. Supp.2d 1053, 1060.)

B. Fact-Specific Analysis

The majority of courts that have considered the breach of contract/federal copyright preemption issue have used a fact-specific analysis. Many courts have concluded that the particular promise alleged to have been breached was not the equivalent of copyright and therefore the breach of contract action was not preempted. ( National Car Rental v. Computer Associates, supra, 991 F.2d at pp. 429-430 [breach of promise not to use computer program to process third party's data]; Acorn Structures, Inc. v. Swantz (4th Cir. 1988) 846 F.2d 923, 926 [promise to buy architectural plans or building materials from plaintiff if defendant used plaintiff's plans]; Lennon v. Seaman, supra, 63 F. Supp. at p. 438 [right under employee confidentiality agreement to prevent disclosure of information]; Chesler/Perlmutter Prods. v. Fireworks Entertain. (C.D.Cal. 2001) 177 F. Supp.2d 1050, 1058 [promises to pay specific amounts and hire particular employees]; Durgom v. Janowiak, supra, 74 Cal.App.4th at pp. 186-187 [right to receive royalties]; Brignoli v. Balch Hardy and Scheinman, Inc. (S.D.N.Y. 1986) 645 F. Supp. 1201, 1205 [promise to pay].) In another context, courts have held a breach of an independent covenant of a copyright license, such as a promise to pay royalties, is not a copyright infringement action, but a breach of contract action. ( Graham v. James (2d Cir. 1998) 144 F.3d 229, 235-237; Effects Associates, Inc. v. Cohen (9th Cir. 1990) 908 F.2d 555, 559; U.S. Naval Institute v. Charter Communications (2d Cir. 1991) 936 F.2d 692, 695.)

Similarly, other courts have concluded on the facts presented that the particular promise alleged to have been breached in the contract action is the equivalent of one or more of the rights protected under copyright and the promise cannot be the extra element distinguishing the contract action from a copyright infringement action. These courts have found preemption. ( American Movie Classic v. Turner Entertainment Co. (S.D.N.Y. 1996) 922 F. Supp. 926, 931-932 [exclusive exhibition rights violated]; Berkla v. Corel Corp. (E.D.Cal. 1999) 66 F. Supp.2d 1129, 1150 [release of protected images to the public]; Smith v. Weinstein (S.D.N.Y. 1984) 578 F. Supp. 1297, 1307 [copying of plaintiff's script]; Wolff v. Institute of Elec. Electronics Eng., supra, 768 F. Supp. at p. 69 [violation of one-time use of photo on magazine cover].)

We agree with the majority view. The mere breach of the promise inherent in every contract does not constitute the requisite extra element unless the promise creates a right qualitatively different from copyright. A right that is qualitatively different from copyright includes a right to payment, a right to royalties, or any other independent covenant. These qualitatively different rights constitute the requisite extra element. These breach of contract actions are not preempted by federal copyright law. If, however, the promise is equivalent to copyright, the breach of the promise is not the extra element making the action qualitatively different from copyright. In such a case, there is simply no consideration for the promise. The promisor has merely agreed to do that which the promisor is already obligated to do under federal copyright law.

Pars's Contract Causes of Action

In this case, Pars alleged seven breach of contract causes of action based on the rights to seven different musical compilations. For each breach of contract cause of action to survive preemption, Pars was required to allege an element beyond unauthorized reproduction or distribution. Moreover, that element must have made the state claim qualitatively different from a copyright infringement claim.

In the first, second, third, fifth, and sixth breach of contract causes of action, Pars alleged that it purchased the exclusive rights to musical compilations and Avang breached the agreements by "producing, duplicating, selling, advertising and otherwise marketing and distributing such musical materials and copies thereof in various forms, by claiming ownership of and otherwise interfering with [Pars's] property rights in such musical materials." These are simply the reproduction and distribution rights protected by federal copyright law. There is no "extra element" alleged that makes the causes of action qualitatively different from a copyright infringement action. Therefore, these causes of action are preempted.

Pars's fourth cause of action for breach of contract alleges that in addition to unauthorized reproduction and distribution of the musical material, Avang breached the December 23, 1989 agreement by "failing and refusing continuously to the present to deliver to [Pars] the master recording or copies of the [musical compilations subject to the agreement]." Avang's failure to deliver master recordings as provided under the parties' agreement is an extra element that is different from a copyright infringement claim. Therefore, the breach of contract action is not preempted.

The seventh cause of action for breach of the January 17, 1995 agreement alleges that Avang failed to deliver three musical compilations as provided under the parties' agreement. This cause of action does not allege the unauthorized reproduction of expressive materials. We conclude there is no preemption of the seventh cause of action. As a result, the eighth cause of action for rescission of the January 17, 1995 agreement is also not preempted.

Pars's Fraud Cause of Action

In the fraud cause of action, Pars additionally alleged that prior to entering into each agreement, Avang made certain representations. It represented that it owned the rights, titles and interests in each album and each of the musical works contained in the album. It promised to transfer the rights to Pars, including the master recordings and the rights to all revenues derived from the sale of each album and the musical work contained therein. It promised not to duplicate or sell the music in any form. However, in fact, Avang did not own the rights, titles and interest to the albums; did not intend to transfer the rights to Pars exclusively; and intended to produce and sell the music in various forms and interfere with Pars's business. Avang made the representations with the intent to defraud Pars.

On appeal, Pars contends the fraud cause of action is not preempted. We agree. "Under the extra element test, it is clear that federal copyright law does not preempt state causes of action alleging fraud. . . . Fraud involves 'the extra element of misrepresentation.' [Citation.]" ( Gladstone v. Hillel (1988) 203 Cal.App.3d 977, 987.) The fraud cause of action in this case is not preempted, because it contains extra elements, including the allegations that Avang misrepresented its ownership of the rights to the music compositions and falsely promised to deliver master recordings.

Pars's Other Causes of Action

Pars's ninth and tenth causes of action for money had and received and an accounting attempt to recover proceeds from Avang's unauthorized reproduction and distribution of the material. Because these causes of action are not qualitatively different from a copyright infringement action, they are preempted. (See Motown Record Corp. v. George A. Hormel Co. (C.D.Cal. 1987) 657 F. Supp. 1236, 1241.)

Pars's causes of action for intentional interference with obligation of contract (eleventh), intentional interference with economic relations (twelfth), and negligent interference with prospective economic advantage (thirteenth) are also preempted, because the interfering conduct alleged is simply the reproduction and distribution of the musical materials covered by the written agreements. ( Motown Record Corp. v. George A. Hormel Co., supra, 657 F. Supp. at p. 1240; compare PMC, Inc. v. Saban Entertainment, Inc. (1996) 45 Cal.App.4th 579, 594 [gravamen of allegations was that plaintiff was prevented from finalizing a deal, not that plaintiff's copyrighted material was wrongfully used].)

DISPOSITION

The judgment of dismissal and the order granting the motion for judgment on the pleadings are reversed. The trial court is directed to enter a new and different order granting the motion as to the first, second, third, fifth, sixth, ninth, tenth, eleventh, twelfth and thirteenth causes of action and denying the motion as to the fourth, seventh, eighth and fourteenth causes of action. Appellants Seyed E. Kabehie and Pars Video, Inc. are awarded their costs on appeal.

I concur:

ARMSTRONG, J.

MOSK, J., Concurs with separate opinion.